March 9 marks Mickey Spillane's 100th anniversary. He was a helluva writer, but he rarely got the respect he deserved. His first published book "I, the Jury" was written in 3 weeks earning him an advance of $1000, the amount needed to buy land and build a house. Even though it's a short novel, clocking in at 160 pages or about 53,000 words, that's s fast pace for any writer.
Spillane's tough guy private detective Mike Hammer became the template for a blood-and-guts noir style that was immortalized on film, television and radio and begat dozens of imitators. Spillane paved the way for many private detective writers and helped legitimize the paperback original genre.
Nonetheless, Spillane was scorned by the literary world who disliked his pulpy style and heavy-handed plots. But he had the last laugh, writing more than 30 novels that sold more than 200 million copies in his career, making him one of the bestselling authors in the 20th century. As he put it "peanuts outsell caviar." What critics sometimes missed in Spillane and other noir authors' works was the pacing that drew readers in and kept them reading chapter after chapter, book after book.
"Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book."
Ironically, Spillane's death in 2006 hasn't hurt his productivity. Max Allan Collins has gone on to co-write more than a dozen novels Mickey Spillane from unfinished manuscripts that Spillane left in his trust.
To commemorate Spillane's 100th anniversary, two new Spillane / Collins titles are being published for the first time ever: Killing Town, the lost first Mike Hammer novel, and The Last Stand, the last novel Spillane completed just before his death. (Both are available for pre-order with delivery in April.)
Like Mickey Spillane? Hate the covers? Let me know in the comments below.